Wade in the Water by Tracy K. Smith

Here’s a poem from Tracy K. Smith’s new volume, Wade in the Water. She is the current poet laureate of the United States and a teacher at Princeton.

See the source image

The United States Welcomes You

Why and by whose power were you sent?

What do you see that you may wish to steal?

Why this dancing? Why do your dark bodies

Drink up all the light?  What are you demanding

That we feel?  Have you stolen something? Then

What is that leaping in your chest? What is

The nature of your mission? Do you seek

To offer a confession? Have you anything to do

With others brought by us to harm? Then

Why are you afraid? And why do you invade

Our night, hands raised, eyes wide, mute

As ghosts? Is there something our wish to confess?

Is this some enigmatic type of test? What if we

Fail? How and to whom do we address our appeal?

Ordinary Light by Tracy K. Smith

Extraordinary passages of light shine out of the poet’s memoir. Here’s one that made me blink. It’s the author as a college student, on a trip to New York City, and back to Cambridge: a young person, finding herself, forming herself with ideas, finding comfort in movement at night along a most populated corridor.

I made a trip to New York [from Cambridge] one weekend….my aunt Carla had given me a tour of the Harlem neighborhoods, weaving along the blocks of Striver’s Row and, farther north, pointing out the abandoned buildings that had once been magnificent, too, but that now stood like doll houses on burnt-out blocks. After dark, as we were heading back down Lenox Avenue, I’d pointed to the silhouettes warming themselves around garbage cans whose contents had been set aflame…There was something about it that delighted me, something real…

“When I graduate, I want to come here. I want to live in Harlem, with all these beautiful black people,” I announced. It felt like a homecoming. The little sliver of blackness I’d known growing up in California, a sliver that sat inside the walls of our family house, or inside the silence of my mind, leapt in joy to know that there was an immense realm whose facets gave back occasional glimpses of itself.

On the Greyhound back to Boston, signs everywhere told me how much further there was to go…Moving over ramps and bridges, and back and forth across lanes, I relaxed my grip around the confusion, the sorrow, the independence, the wanting, the shifting allegiances, the insatiable wondering that fueled so much of my life. High above the ground, watching the bus’s shadow skimming north on Interstate 95, I felt vacant, expansive, subjective, far away. Like a cloud pushed along by the wind.
pp. 290-291.

Kendrick Lamar

Image result for to pimp a butterfly

My son Nate introduced the poetry and music of Kendrick Lamar to me by playing episodes of the podcast Dissect on a long road trip. The episodes explore, in detail, the raw energy, passionate theology and unnerving social commentary in the tracks of Lamar’s album, To Pimp A Butterfly. The lyrics explode in performance, unfolding the seethe and rage of black America in powerful, introspective art.

Art that is soft and easy on our hearts is not all there is. When we are on top of the world, safe and secure, music and poetry can be quiet and mild. There are other voices, from other places, down the street, that speak from very different experiences.

 

Harry Truman 1884-1972

During a few days together, my sons and I talked about many things. Matt was reading about Harry Truman, the 33rd President of the United States. In the last years of his life, in Independence, Missouri, Truman took morning walks with Thomas Melton, pastor of the First Presbyterian Church.

Passing an enormous gingko tree on Maple Street, one of the largest, most spectacular trees in town, Truman would customarily speak to it. And what would the President say to the tree, Melton was asked by a visitor years later. He would say, ‘You’re doing a good job.’ Truman, by David McCullough, p. 984.

See the source image

When Truman died in December, 1972, Mary McGrory wrote a tribute to him for the Washington Star:

He did not require to be loved. He did not expect to be followed blindly. Congressional opposition never struck him as subversive, nor did he regard his critics as traitors. He never whined. He walked around Washington every morning–it was safe then. He met reporters frequently as a matter of course, and did not blame them for his failures. He did not use the office as a club or a shield, or a hiding place. He said he lived by the Bible and history. So armed, he proved that the ordinary American is capable of grandeur, and that a President can be a human being.  Truman, p. 989 

Nate’s college graduation

Independence Day by Wendell Berry

Between painting a roof yesterday and the hay
harvest tomorrow, a holiday in the woods
under the grooved trunks and branches, the roof
of leaves lighted and shadowed by the sky.
As America from England, the woods stands free
from politics and anthems. So in the woods I stand
free, knowing my land. My country, ’tis of the
drying pools along Camp Branch I sing
where the water striders walk like Christ
all sons of God, and of the woods grown old
on the stony hill where the thrush’s song rises
in the light like a curling vine and the bobwhite’s
whistle opens in the air, broad and pointed as a leaf.

from Farming: A Handbook

Donald Hall 1928-2018

Sudden Things by Donald Hall

A storm was coming, that was why it was dark. The wind was blowing the fronds of the palm trees off. They were maples. I looked out the window across the big lawn. The house was huge, full of children and old people. The lion was loose. Either because of the wind, or by malevolent human energy, which is the same thing, the cage had come open. Suppose a child walked outside!

A child walked outside. I knew that I must protect him from the lion. I threw myself on top of the child. The lion roared over me. In the branches and the bushes there was suddenly a loud crackling. The lion cringed. I looked up and saw that the elephant was loose!

The elephant was taller than the redwoods. He was hairy like a mammoth. His tusks trailed vines. Parrots screeched around his head. His eyes rolled crazily. He trumpeted. The ice-cap was breaking up!

The lion backed off, whining. The boy ran for the house. I covered his retreat, locked all the doors and pulled the bars across them. An old lady tried to open a door to get a better look. I spoke sharply to her, she sat down grumbling and pulled a blanket over her knees.

Out of the window I saw zebras and rattlesnakes and wildebeests and cougars and woodchucks on the lawns and in the tennis courts. I worried how, after the storm, we would put the animals back in their cages, and get to the mainland.

Noah's Ark.
 Hicks, Edward, 1780-1849

Click to enter image viewer

Use the Save buttons below to save any of the available image sizes to your computer.

Pablo Neruda by Mark Eisner

Poet’s Obligation

To whoever is not listening to the sea
this Friday morning, to whoever is cooped up
in house or office, factory or woman
or street or mine or harsh prison cell;
to him I come, and, without speaking or looking,
I arrive and open the door of his prison,
and a vibration starts up, vague and insistent,
a great fragment of thunder sets in motion
the rumble of the planet and the foam,
the raucous rivers of the ocean flood,
the star vibrates swiftly in its corona,
and the sea is beating, dying and continuing.

So, drawn on by my destiny,
I ceaselessly must listen to and keep
the sea’s lamenting in my awareness,
I must feel the crash of the hard water
and gather it up in a perpetual cup
so that, wherever those in prison may be,
wherever they suffer the autumn’s castigation,
I may be there with an errant wave,
I may move, passing through windows,
and hearing me, eyes will glance upward
saying “How can I reach the sea?”
And I shall broadcast, saying nothing,
the starry echoes of the wave,
a breaking up of foam and quicksand,
a rustling of salt withdrawing,
the grey cry of the sea-birds on the coast.

So, through me, freedom and the sea
will make their answer to the shuttered heart.

-Pablo Neruda

 

 

 

 

 

 

 

 

 

Eisner reaches back to the Mapuche people, the native inhabitants of the part of Chile where Neruda lived, tracing the poet’s literary DNA:

…the culture and oral traditions of the indigenous Mapuche people were steeped in lyric verse through their unwritten language, Mapudungun. the manner in which they elected their leaders exemplifies this. For the position of strategic leader, a candidate must prove he is a sage: that he is wise, prudent, and patient. He also must demonstrate his command of the language. Toward this end, one of the tests was a trial of rhetoric in a ritual exercised through poetry. The candidates recited, they sang, they engaged their audience with poems they created spontaneously, odes to everything that surrounded them…Through language they had to connect the tribe to its ancestors… p. 518

Happy 85th birthday, Willie Nelson

My son, Matthew, sent a Willie Nelson song this morning.

Entrepreneur or Craftsman

Guidance to two ways of imagining life and pursuing happiness may be read in these new books.

In Burn the Business Plan, What Great Entrepreneurs Really Do, by Carl J. Shramm, we read that

An entrepreneur is someone who exploits an innovative idea–one that he develops, or copies, improves, or rents–to start a profit-seeking, scalable business that successfully satisfies demands for a new or better product.

If you are [a] successful [entrepreneur] you might become rich and maybe even famous. More important, however, you may be happier…A 2013 global survey reported that successful entrepreneurs are among the happiest people on earth. Making money by improving…the lives of million of others with something that you created is the reason that entrepreneurs tackle the unknowns and risks that they do.  p. 28


Alexander Langland’s Craeft: An Inquiry into the Origins and True Meaning of Traditional Crafts   claims that human beings are born makers:

Against a rising tide of automation and increasing digital complexity, we are becoming further divorced from the very thing that defines us: we are makers, crafter of things. When our lives once comprised an almost unbroken chain of movements and actions as we interacted physically with the material requirements of our existence, today we stare at screens and we press buttons.  

If we spent more time individually converting raw materials into useful objects, we might be better placed to contextualize the challenges that face a society addicted to excessive and often conspicuous consumption. Perhaps more importantly, we might be a little bit happier.  p. 23