The Season of Phantasmal Peace by Derek Walcott 1930-2017

Image result for huge flock of birds

The Season of Phantasmal Peace

Then all the nations of birds lifted together
the huge net of the shadows of this earth
in multitudinous dialects, twittering tongues,
stitching and crossing it. They lifted up
the shadows of long pines down trackless slopes,
the shadows of glass-faced towers down evening streets,
the shadow of a frail plant on a city sill—
the net rising soundless as night, the birds’ cries soundless, until
there was no longer dusk, or season, decline, or weather,
only this passage of phantasmal light
that not the narrowest shadow dared to sever.

And men could not see, looking up, what the wild geese drew,
what the ospreys trailed behind them in silvery ropes
that flashed in the icy sunlight; they could not hear
battalions of starlings waging peaceful cries,
bearing the net higher, covering this world
like the vines of an orchard, or a mother drawing
the trembling gauze over the trembling eyes
of a child fluttering to sleep;
it was light
that you will see at evening on the side of a hill
in yellow October, and no one hearing knew
what change had brought into the raven’s cawing,
the killdeer’s screech, the ember-circling chough
such an immense, soundless, and high concern
for the fields and cities where the birds belong,
except it was their seasonal passing, Love,
made seasonless, or, from the high privilege of their birth,
something brighter than pity for the wingless ones
below them who shared dark holes in windows and in houses,
and higher they lifted the net with soundless voices
above all change, betrayals of falling suns,
and this season lasted one moment, like the pause
between dusk and darkness, between fury and peace,
but, for such as our earth is now, it lasted long.

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Derek Walcott, “The Season of Phantasmal Peace” from Collected Poems: 1948-1984. Copyright © 1987 by Derek Walcott. Used by permission of Farrar, Straus & Giroux, LLC, http://us.macmillan.com/fsg. All rights reserved.

The Burning Babe by Robert Southwell 1561-1595

The Burning Babe

As I in hoary winter’s night stood shivering in the snow,
Surprised I was with sudden heat which made my heart to glow;
And lifting up a fearful eye to view what fire was near,
A pretty babe all burning bright did in the air appear;
Who, scorched with excessive heat, such floods of tears did shed
As though his floods should quench his flames which with his tears were fed.
Alas, quoth he, but newly born in fiery heats I fry,
Yet none approach to warm their hearts or feel my fire but I!
My faultless breast the furnace is, the fuel wounding thorns,
Love is the fire, and sighs the smoke, the ashes shame and scorns;
The fuel justice layeth on, and mercy blows the coals,
The metal in this furnace wrought are men’s defiled souls,
For which, as now on fire I am to work them to their good,
So will I melt into a bath to wash them in my blood.
With this he vanished out of sight and swiftly shrunk away,
And straight I called unto mind that it was Christmas day.

Robert Southwell.JPG

Mistletoe by Walter de La Mare 1873-1956

Mistletoe

Sitting under the mistletoe
(Pale-green, fairy mistletoe),
One last candle burning low,
All the sleepy dancers gone,
Just one candle burning on,
Shadows lurking everywhere:
Some one came, and kissed me there.

Tired I was; my head would go
Nodding under the mistletoe
(Pale-green, fairy mistletoe),
No footsteps came, no voice, but only,
Just as I sat there, sleepy, lonely,
Stooped in the still and shadowy air
Lips unseen—and kissed me there.

Gratitude by Mary Oliver 1935-2019

What did you notice?

The dew-snail;
the low-flying sparrow;
the bat, on the wind, in the dark;
big-chested geese, in the V of sleekest performance;
the soft toad, patient in the hot sand;
the sweet-hungry ants;
the uproar of mice in the empty house;
the tin music of the cricket’s body;
the blouse of the goldenrod.

What did you hear?

The thrush greeting the morning;
the little bluebirds in their hot box;
the salty talk of the wren,
then the deep cup of the hour of silence.

When did you admire?

The oaks, letting down their dark and hairy fruit;
the carrot, rising in its elongated waist;
the onion, sheet after sheet, curved inward to the pale green wand;
at the end of summer the brassy dust, the almost liquid beauty of the flowers;
then the ferns, scrawned black by the frost.

What astonished you?

The swallows making their dip and turn over the water.
What would you like to see again?
My dog: her energy and exuberance, her willingness,
her language beyond all nimbleness of tongue,
her recklessness, her loyalty, her sweetness,
her strong legs, her curled black lip, her snap.

What was most tender?

Queen Anne’s lace, with its parsnip root;
the everlasting in its bonnets of wool;
the kinks and turns of the tupelo’s body;
the tall, blank banks of sand;
the clam, clamped down.

What was most wonderful?

The sea, and its wide shoulders;
the sea and its triangles;
the sea lying back on its long athlete’s spine.

What did you think was happening?

The green beast of the hummingbird;
the eye of the pond;
the wet face of the lily;
the bright, puckered knee of the broken oak;
the red tulip of the fox’s mouth;
the up-swing, the down-pour, the frayed sleeve of the first snow—

so the gods shake us from our sleep.

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A Psalm of Life by Henry Wadsworth Longfellow 1807-1882

A Psalm of Life

What The Heart Of The Young Man Said To The Psalmist.

Tell me not, in mournful numbers,
Life is but an empty dream!
For the soul is dead that slumbers,
And things are not what they seem.

Life is real! Life is earnest!
And the grave is not its goal;
Dust thou art, to dust returnest,
Was not spoken of the soul.

Not enjoyment, and not sorrow,
Is our destined end or way;
But to act, that each to-morrow
Find us farther than to-day.

Art is long, and Time is fleeting,
And our hearts, though stout and brave,
Still, like muffled drums, are beating
Funeral marches to the grave.

In the world’s broad field of battle,
In the bivouac of Life,
Be not like dumb, driven cattle!
Be a hero in the strife!

Trust no Future, howe’er pleasant!
Let the dead Past bury its dead!
Act,— act in the living Present!
Heart within, and God o’erhead!

Lives of great men all remind us
We can make our lives sublime,
And, departing, leave behind us
Footprints on the sands of time;

Footprints, that perhaps another,
Sailing o’er life’s solemn main,
A forlorn and shipwrecked brother,
Seeing, shall take heart again.

Let us, then, be up and doing,
With a heart for any fate;
Still achieving, still pursuing,
Learn to labor and to wait.

Black and white photograph of Henry Wadsworth Longfellow.

 

All Saints by Christina Rossetti 1830-1894

Entry into the City, John August Swanson

All Saints

They are flocking from the East
And the West,
They are flocking from the North
And the South,
Every moment setting forth
From realm of snake or lion,
Swamp or sand,
Ice or burning;
Greatest and least,
Palm in hand
And praise in mouth,
They are flocking up the path
To their rest,
Up the path that hath
No returning.

Up the steeps of Zion
They are mounting,
Coming, coming,
Throngs beyond man’s counting;
With a sound
Like innumerable bees
Swarming, humming
Where flowering trees
Many-tinted,
Many-scented,
All alike abound
With honey,–
With a swell
Like a blast upswaying unrestrainable
From a shadowed dell
To the hill-tops sunny,–
With a thunder
Like the ocean when in strength
Breadth and length
It sets to shore;
More and more
Waves on waves redoubled pour
Leaping flashing to the shore
(Unlike the under
Drain of ebb that loseth ground
For all its roar.)

They are thronging
From the East and West,
From the North and South,
Saints are thronging, loving, longing,
To their land
Of rest,
Palm in hand
And praise in mouth.

 

Mercies, a sonnet by Don Paterson

She might have had months left of her dog-years,
but to be who? She’d grown light as a nest
and spent the whole day under her long ears
listening to the bad radio in her breast.
On the steel bench, knowing what was taking shape
she tried and tried to stand, as if to sign
that she was still of use, and should escape
our selection. So I turned her face to mine,
and seeing only love there-which, for all
the wolf in her, she knew as well as we did-
she lay back down and let the needle enter.
And love was surely what her eyes conceded
as her stare grew hard, and one bright aerial
quit making its report back to the centre.

Don Paterson is Professor of Poetry at University of St. Andrews.

Yom Kippur, Exile, Shara McCallum

Yom Kippur ends today 10/9. The Jewish holy day calls for a return of the exiles. The streets near my house are lined with exiles coming home to the synagogue. I am not a Jew, but the day gets to me. It’s such an important theme. Most of us are lost. Sometimes religious rituals help us find our way home. Here’s a poem by Shara McCallum, a Jamaican-born poet, that takes up the theme of exile, and some of my favorite images of birds and fish.

Exile

Say morning
       and a bird trills on a doorstep
               outside a kitchen.

Inside, fingers roll johnnycakes,
       dropping balls of dough into oil,
               splattering, singeing a wrist.

Here, a woman is always
       singing, each note tethering
               sound to meaning.

The trick is to wait
       on this doorstep forever
               The trick is to remember

time is a fish
        swimming through dark water.

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Martin Buber, A Life of Faith and Dissent, by Paul Mendes-Flohr

Paul Mendes-Flohr, an authority on the philosopher Martin Buber 1878-1963, has written a biography of the controversial and beloved social thinker. My review of the book appears in the September 25, 2019 issue of The Christian Century.

In an essay from 1922, just before the publication of I and Thou, Buber wrote: ‘It is far more comfortable to have to do with religion than to have to do with God, who sends one out of home and fatherland into restless wandering. In addition, religion has all kinds of aesthetic refreshments to offer its cultivated adherents…For this reason, at all times the awake spirits have been vigilant and have warned of the diverting forces hidden in religion.’ p. 143

Louise Erdrich’s story in the New Yorker 9/9/19

“The Stone”, a story by Louise Erdrich, appeared in a recent issue of The New Yorker. In an online interview, Erdrich said, ‘We all enact odd little rituals we don’t understand.’

Louise Erdrich was born in Little Falls, Minnesota. I think of her writing out of Chippewa country, in northern Minnesota, even though she lives in Minneapolis.

Erdrich wrote: A stone is a thought that the earth develops over inhuman time.

 

This poem by Erdrich has a line about ‘the old agreement of stones’.

Turtle Mountain Reservation 

For Pat Gourneau, my grandfather

The heron makes a cross
flying low over the marsh.
Its heart is an old compass
pointing off in four directions.
It drags the world along,
the world it becomes.

My face surfaces in the green
beveled glass above the washstand.
My handprint in thick black powder
on the bedroom shade.
Home I could drink like thin fire
that gathers
like lead in my veins,
heart’s armor, the coffee stains.

In the dust of the double hollyhock,
Theresa, one frail flame eating wind.
One slim candle
that snaps in the dry grass.
Ascending tall ladders
that walk to the edge of dusk.
Riding a blue cricket
through the tumult of the falling dawn.

At dusk the gray owl walks the length of the roof,
sharpening its talons on the shingles.
Grandpa leans back
between spoonfuls of canned soup
and repeats to himself a word
that belongs to a world
no one else can remember.

The day has not come
when from sloughs, the great salamander
lumbers through snow, salt, and fire
to be with him, throws the hatchet
of its head through the door of the three-room house
and eats the blue roses that are peeling off the walls.

Uncle Ray, drunk for three days
behind the jagged window
of a new government box,
drapes himself in fallen curtains, and dreams that the odd
beast seen near Cannonball, North Dakota,
crouches moaning at the door to his body. The latch
is the small hook and eye.

of religion. Twenty nuns
fall through clouds to park their butts
on the metal hasp. Surely that
would be considered miraculous almost anyplace,

but here in the Turtle Mountains
it is no more than common fact.
Raymond wakes,
but he can’t shrug them off. He is looking up
dark tunnels of their sleeves,
and into their frozen armpits,
or is it heaven? He counts the points
of their hairs like stars.

One by one they blink out,
and Theresa comes forth
clothed in the lovely hair
she has been washing all day. She smells
like a hayfield, drifting pollen
of birch trees.
Her hair steals across her shoulders
like a postcard sunset.

All the boys tonight, goaded from below,
will approach her in The Blazer, The Tomahawk,
The White Roach Bar where everyone
gets up to cut the rug, wagging everything they got,
as the one bass drum of The Holy Greaseballs
lights a depth
charge through the smoke.

Grandpa leans closer to the bingo.
The small fortune his heart pumps for
is hidden in the stained, dancing numbers.
The Ping-Pong balls rise through colored lights,
brief as sparrows
God is in the sleight of the woman’s hand.

He walks from Saint Ann’s, limp and crazy
as the loon that calls its children
across the lake
in its broke, knowing laughter.
Hitchhiking home from the Mission, if he sings,
it is a loud, rasping wail
that saws through the spine
of Ira Comes Last, at the wheel.

Drawn up through the neck ropes,
drawn out of his stomach
by the spirit of the stones that line
the road and speak
to him only in their old agreement.
Ira knows the old man is nuts.
Lets him out at the road that leads up
over stars and the skulls of white cranes.

And through the soft explosions of cattail
and the scattering of seeds on still water,
walks Grandpa, all the time that there is in his hands
that have grown to be the twisted doubles
of the burrows of mole and badger,
that have come to be the absence
of birds in a nest.
Hands of earth, of this clay
I’m also made from.

-Louise Erdrich